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The conversations between the leads are loaded, yet casual, like the exchange that results in Meeta finally remembering that, yes, she has met this man earlier. Mathew has a light touch and he pulls off the “com” part of his film quite delightfully. And Nikhil needs to find his inner child, that boy who effortlessly slipped out of a locked room many, many years ago, to get to a screening of Agneepath.
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She has to learn how to think about others, how to handle emotions without suppressing them. Nikhil and Meeta are both the odd ones out in their traditional families (her exasperated uncle says, of her “unfeminine” ways, that she’ll bring home a bride, not a groom), and they both want to escape – it’s just that Meeta has gone ahead and escaped, while Nikhil has convinced himself that the life he’s leading is the right life for him. Part of Mathew’s agenda is to tell a coming-of-age story with two people who’re different in many ways and yet similar in some. But the thing is, they’re not really opposites, and Hasee Toh Phasee isn’t exactly a rom-com. Seen one way, then, we have here the classic rom-com set-up of opposites attracting. Breaking up is easy, he says, but sustaining a relationship when the going gets tough? That, in his eyes, is the mark of a grown-up. At some level he knows he doesn’t love Karishma, but he’s afraid to break up with her because he says – in a touching moment – that she may not come after him and he’ll end up alone.
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(Had he followed his heart, like Meeta, he’d have become a police officer.) He has the fears of a grown-up. And now, he’s become a dull man, the kind of person who wants to conclude a business deal not because he has a passion for it but because he can tick another item off his to-do list and go on and get married. He meets Meeta in his teens, and she asks him to jump into an auto-rickshaw and come with her to Goa – he’s tempted for an instant but his rational self asserts itself and he declines. Very early in the film, we get a couple of sequences that establish what adventurous out-of-the-box thinkers Meeta and Nikhil are as children, but while Meeta has held on to this spirit, Nikhil has lost it along the way. Nikhil, on the other hand, is a grown-up – at least he’s trying to be one, doing things that he thinks are the right things to do. She even has a peeing-in-the-pants moment. She’s slapped constantly, like a naughty child, and her annoyingly squeaky shoes are the kind you’d see on children. When she wants a guy – Nikhil, who’s engaged to her sister Karishma (Adah Sharma) – she coolly asks him to marry her and leave Karishma. She just goes ahead and does whatever she wants, without worrying about consequences. “ B ade hokar life ko complicate karte hain,” she tells Nikhil (Sidharth Malhotra), when she finds him wringing his hands over a situation – and we see that these aren’t hollow words but her life’s philosophy. These traits are on display throughout Vinil Mathew’s Hasee Toh Phasee, but a little before interval point, we realise that – savant or not – Meeta is essentially a child. When she’s not popping a cocktail of pills, she’s scarfing down toothpaste and sugar. She tucks in her lower lip and sticks her tongue out. She’s clearly some sort of genius, but she looks a little unhinged.
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But he wasn’t upset with the actor and moved on and made the movie with Viineet Kumar.When we meet Meeta (Parineeti Chopra), she seems to be auditioning for the part of an autistic savant. However, after MS Dhoni: The Untold Story, the late actor ghosted him, revealed Kashyap earlier. When the actor had passed away, she even shared offered her respect and expressed her grief on social media.Īlso, Anurag Kashyap had planned Mukkabaaz for SSR. Meanwhile, post-Shuddh Desi Romance, Pari and Sushant Singh Rajput became friends. Actor Sidharth Malhotra got cast as the male lead alongside Chopra in Hasee Toh Phasee. He must have thought of it as a better deal hence, no one opposed him for working with Parineeti in Shuddh Desi Romance. Kashyap stated that everyone understood why Sushant Singh Rajput must’ve chosen YRF over HTP. Anurag Kashyap added, “And she was doing a film called Shuddh Desi Romance and she must have gone and spoken to YRF, they called him and said ‘Why don’t you come and do Shuddh Desi Romance and not do that film?’ And he disappeared on us.”